Special Guest: Dale Crover, Phil Anselmo, and Randy Blythe have all served as live fill-ins.Sludge Metal: One of the most well-known examples and a Trope Codifier of the genre alongside Crowbar, Down, and Grief.That being said, if you're a promoter, do not shortchange them or rip them off unless you want them to take matters into their own hands, which may include smashing you over the head with a barstool or forcibly marching you to an ATM to withdraw the amount that you came up short on from your checking account. The band members themselves were once drug addicts, and it shows - however, people who have had the chance to hang out with the band have reported almost nothing but good things about them. Scary Musician, Harmless Music: Inverted.Licensed from Century Media and remastered by Jaime Gomez Arellano (Paradise Lost, Cathedral, Ghost). Revel in the power of Nines, in the power that is Eyehategod. Glory in their downtuned vision of depravity and despair, for the End Times aren’t coming, they’re here and they’ve always been here. With personal liner-notes, that set the scene and describe the unique vibe of the band’s sound and live show, including old flyers and posters from concerts and photos of the different line-ups from 1990 until today, the package is an immersive insight into one of the paramount heavy Sludge bands of our time.Ī vision of pain and neglect, they’ve done thousands of shows, never predictable in their tension and ultimately, release. The booklet alone is a delight for anyone who worships at the altar of Eyehategod’s oppressively heavy, crushing riffs. WATCH IN 1080p, and shot by Holderbeast.EYEHATEGOD performing 'Take as Needed for Pain' live on their 2013 25TH ANNIVERSARY TOUR.Filmed on location at Hang. The result is a feedback-laced window into that wonderful, brutal Eyehategod “sound”, that addictive, lower-than-low note that nestles somewhere in the pit of your burning, alcohol-soaked, nauseated stomach. Released on May 29, 2001, “10 Years” spans seven live tracks from their European tour in 2000, a live radio show from August 1994 and four songs from an early 1990 demo. Though the band has never released a live album, we are left with “10 Years” as the only official witnessing document to decades of decimating live sonic abuse.
Drawing comparisons to Grindcore, Crust Punk and Sludge Metal, their heavy bluesy, detuned rock and roll has been a lynchpin for the misanthropic and disenfranchised.Įyehategod has released five studio albums to date with a sixth in the works and have toured all over the world in a career spanning over thirty years. Formed in 1988 in New Orleans they have become one of the most well known bands to emerge from the NOLA metal scene.Įyehategod note bands like Melvins, The Obsessed, Discharge, Black Flag, Black Sabbath and Saint Vitus as major influences, but are often mentioned in the same breath as any of these legendary bands.
Many other bands have tried unsuccessfully to emulate Eyehategod and have never quite captured their dynamic.
EYEHATEGOD TAKE AS NEEDED FOR PAIN BAND SERIES
It was reissued in 2006 as part of Century Medias 20th Anniversary series of reissues, with six bonus tracks, taken from rare 7-inch records and splits. Giving you an idea of Eyehategod’s uncompromising, single minded purity of expression and exertion of raw nerve, “10 Year Of Abuse” is a monumental document all the way from the demo era to their later, legendary relentless live tour set. Take as Needed for Pain is the second studio album by American sludge metal band Eyehategod, released on November 22, 1993. No one album could ever capture the claustrophobia-to-catharsis of an Eyehategod show, but this compilation of live tracks and demos comes as close as it gets.
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